Scene Two

As promised, this is the second post update on my film.  Still haven't figured out a name that suits the film, but it's looking better and better the more time I'm spending on it.  I just got the bright idea to separate each scene into trials.  Almost novel style.  It seems as though I've given an acknowledged nod to filmmaker Lars Von Trier with this move.  Hats off to you then friend.  I wasn't initially going to do this, but the more and more I replayed the scene transitions, the more it looked like a totally different film.  Not different, but it seemed as though the film were starting over.  The idea might crash and burn, but for now, it seems to be a pretty good alternative.  I have roughly two and a half weeks to tighten the screws on the film so I'll be spending day and night working out the kinks.  The joys of editing (no sarcasm, lol).  

I received the track I've been waiting on to cut the second and third scenes today as well.  Ben Beiny, London composer, really came through on this one.  I gave a special request as to an ambient sound in the score and he fit it in quite well.  I'm very pleased with how well both of his compositions go with the film.  It's pretty much up to me to get the most out of these gems.  I got it.  

That's pretty much all for now, but I'll continue to update you as I make strides in completing the film.  All aboard the Train To Midnight.

Di Rob