Friday, February 26, 2010

"The Great God Pan"


"Very good. I can fancy what you saw. Yes; it is
horrible enough; but after all, it is an old story, an old
mystery played in our day, and in dim London streets instead of
amidst the vineyards and the olive gardens. We know what
happened to those who chanced to meet the Great God Pan, and
those who are wise know that all symbols are symbols of
something, not of nothing. It was, indeed, an exquisite symbol
beneath which men long ago veiled their knowledge of the most
awful, most secret forces which lie at the heart of all things;
forces before which the souls of men must wither and die and
blacken, as their bodies blacken under the electric current.
Such forces cannot be named, cannot be spoken, cannot be
imagined except under a veil and a symbol, a symbol to the most
of us appearing a quaint, poetic fancy, to some a foolish tale.
But you and I, at all events, have known something of the
terror that may dwell in the secret place of life, manifested
under human flesh; that which is without form taking to itself
a form. Oh, Austin, how can it be? How is it that the very
sunlight does not turn to blackness before this thing, the hard
earth melt and boil beneath such a burden?"

Friday, October 30, 2009

The Body

The Body from Antonio Di Robinson on Vimeo.



Here's the trailer for a film shot in class called "The Body."

Di Rob

Wednesday, October 21, 2009


Working on a new script.  This one is proving to be rather interesting.  Not going to give too much away at this point, but technology is the underlying theme of the film.  Already have a main actor and actress to star in the piece.  I'll have to tighten the screws once the script is done, but I'm excited to be back to work on a project of my own.  I've been in semi-cruise control since I shot "JOURNEY".  But, now that that chapter is done, it's time to begin anew.  I'll be sure to keep you posted on the progress of the film.  

Hope you all are enjoying a few scares as it is the month of October.  Home of "All Hallows Eve" muah ha ha ha (yeah, that didn't come out right, but hey...i'm a director).  Me, I just finished watching Stanley Kubrick's "The Shining".  Even though I've seen it before, the film still manages to give me goosebumps.  The part in particular is when Jack Nicholson is in the bathroom talking to the old caretaker, Grady.  Grady is the one who offed his whole family with an ax and then put a double barrel to his head.  Something about talking to a dead guy creeps me out.   Another part that gave me the chills is the part with those damn twins.  It's when Danny is on his bike.  He strolls down the hallway and sees the two girls standing in front of him (as if this wasn't creepy enough).  They stare at one another and then flashes of their dead, butchered corpses flash as the scene cuts back and forth between the live and dead versions of the twins.  Creeps.  

I'm trying to watch at least a horror movie a week in honor of the month.  You should do the same.  Catch up on some of the fright flicks of the 70's and 80's or put on some plastic and watch some of the gore fests of the 90's and 00's.  Anyways, I gotta get to bed ladies and ghouls.  All aboard the Train To Midnight.

Antonio Di Robinson 

Sunday, October 4, 2009

Journey

JOURNEY from Antonio Di Robinson on Vimeo.



I've finally gotten around to posting the finished product of my film. Hopefully the wait has caused an increased sense of anticipation. Not much else to say except, enjoy :)

Di Rob

Thursday, September 10, 2009

Scene Three


I just burned a copy of the entire film onto a DVD.  I'm going to be taking it home to watch it on an actual television to get a feel for how well it's going to look.  I experienced a renewed enthusiasm for the film today while editing the credits.  It becomes hard to maintain enthusiasm for a project after having spent such an extended amount of time with it (literally day and night), but, as the project wraps, your enthusiasm and fire will return.  My second wind (as they say in basketball) has refueled my drive and I'm now geared up for a strong finish.  Excitement BABY!!! (in my best Dick Vitale voice).  In my filmmaking career, thus far, this film is definitely my magnum opus.  

As a side note, I finally figured out a name for the film.  I've decided to called it "Journey."  It came to me as I searched aimlessly for a title.  Short, simple, and sweet.  My kinda name.  I'm excited about having the opportunity to show others the film.  The nervousness has not fully set in yet.  Probably because I've been so focused on completing my film that I haven't really had the opportunity to contemplate how it will be received.  That's probably a good thing.  Having too many voices in one's head only leads to disaster in the long run.  Besides, although I've made this film for others, ultimately this film has helped me cope with my own personal issues and for better or worse I love her for that (yes, my films are my wives).  Film is my art and we shall grow and mature, together.

Hopefully we too shall grow and mature together reader.  I thank you for joining me on my journey.  Your presence is not taken for granted.  Hopefully, my films are able to teach you something about yourselves and/or cause you to look at life with a rejuvenated sense of purpose.

Alright.  The conductor has called for the last of the passengers.  Do not be afraid now.  Take my hand.  We've been together this long, why should we part ways now?  The journey is not yet over.  The darkness has not yet been lifted.  But, if you trust me, we shall break free to the light, together.  All aboard the Train to Midnight. 

Di Rob

Saturday, September 5, 2009

Scene Two

As promised, this is the second post update on my film.  Still haven't figured out a name that suits the film, but it's looking better and better the more time I'm spending on it.  I just got the bright idea to separate each scene into trials.  Almost novel style.  It seems as though I've given an acknowledged nod to filmmaker Lars Von Trier with this move.  Hats off to you then friend.  I wasn't initially going to do this, but the more and more I replayed the scene transitions, the more it looked like a totally different film.  Not different, but it seemed as though the film were starting over.  The idea might crash and burn, but for now, it seems to be a pretty good alternative.  I have roughly two and a half weeks to tighten the screws on the film so I'll be spending day and night working out the kinks.  The joys of editing (no sarcasm, lol).  

I received the track I've been waiting on to cut the second and third scenes today as well.  Ben Beiny, London composer, really came through on this one.  I gave a special request as to an ambient sound in the score and he fit it in quite well.  I'm very pleased with how well both of his compositions go with the film.  It's pretty much up to me to get the most out of these gems.  I got it.  

That's pretty much all for now, but I'll continue to update you as I make strides in completing the film.  All aboard the Train To Midnight.

Di Rob